I was terribly saddened to learn of the passing of another great blues guitarist, Otis Grand, who died on June 9, 2023. Grand, whose real name was Fred Bishti, was born in Beirut, raised in the San Francisco Bay Area but found his fame in Britain. He was regarded as one of the best blues guitarists on the European circuit yet kept in touch with his many friends in the U.S. blues scene. Under appreciated in America, Grand also wrote and sang and put out several blues cds that were as good as any in the blues genre. With exquisite taste in singers, side men and women and material, I have 2 or 3 of Grand's cds in heavy rotation on my disc player most weeks. His collaborations with the cream of the crop of U.S. blues singers like Sugar Ray Norcia and Curtis Salgado capture some of their best work. For those unfamiliar with Grand's work, here is one of my favorite Grand originals,"Finish Line", off of his cd "Nothing Else Matters" featuring Curtis Salgado on vocals and a stellar horn section that includes the late great Bob Enos and Ritch Lataille from Roomful of Blues and Sax Gordon among others.
Go cruising with Plainsense in his Boattail Riv. Along the way we will discuss what's on our mind while drinking a craft beer, smoking a fine cigar and only listening to good music. So hop in and let's go! I only ask that you throw in a little gas money.
Monday, June 26, 2023
International Blues Guitarist Otis Grand Dies at Age 73
Wednesday, June 7, 2023
Alejandro Escovedo Trio Get In Your Face at the dakota
June 2, 2023 Minneapolis, MN
The last time Alejandro brought a band to town it was pre-covid and the band had just survived a close call when their vehicle hit a deer on the way to Kansas City. Escovedo, who had been on the road constantly since recovering from a serious illness years earlier, announced to the crowd that his current tour would be his last. At least for a good while. It was July 3, 2019 and the band had the 4th of July off but were doing a show in Madison, WI on the 5th. It was not the first time I drove for over 5 hours to see Escovedo and was hoping it would not be the last.
Fast forward to June of 2023 and Escovedo was back. This time with a slightly pared down band, just drums and keyboards to accompany his capable guitar work. As usual, he picked incredibly talented musicians, Mark Henne on drums and Scott Danbom on keyboards and violin, to accompany him. Although Escovedo's reputation in the music world is such that musicians line up 10 deep for a chance to add him to their resume, I have toyed with the idea of what a "help wanted" ad for a spot in his band would look like. I imagine it would read something like "versatile musicians wanted, steeped in improvisation, not easily flustered and comfortable with any genre from punk to folk or country to jazz".
The reason I mention this is because I am sure neither Henne nor Danbom ever thought they would be doing experimental theater, playing table side at a jazz club, when they signed on to be in Escovedo's band. So seven songs into his performance at the already intimate dakota jazz club, Alejandro asked that the house light be turned up. Danbom traded his keyboards for a violin and Henne his drums for a tambourine and they ventured out into the audience to serenade us tableside. But that is quintessential Escovedo. Restless, ever changing, mixing things up and never resting on his laurels, of which there are many.
"Break This Time", which featured some chunky rhythm guitar work by Escovedo. While I have become somewhat spoiled by the long list of great lead guitar players Escovedo usually brings on the road with him, it was refreshing to hear Escovedo's guitar work with emphasis on rhythm front and center.